Below are Sarah Riskind’s choral compositions for soprano/alto voices, including both accompanied (often piano and string obbligato) and unaccompanied. Some have been arranged for multiple voicings already, but other arrangements can be completed by request.
The price for pieces sold here allows you to make up to 60 copies. Additional purchases are needed for larger ensembles. If questions, email firstname.lastname@example.org.
A setting of Rabbi Rachel Barenblat’s modern reimagination of Psalm 23, commissioned in 2019 for TBB voices as part of CCM’s Creative Commissions Project, sponsored by the Harmony Fund. This version is for SSA voices, piano, and violin.(SA, piano, and double bass) (SA, piano, and cello)
In this Robert Frost setting for SA choir, piano, and violin, a modal melody expresses the presence of beauty in a seemingly desolate environment. Premiered by an intermediate-level elementary/middle school choir, it is accessible to ensembles strengthening their part-singing skills.
Arrangement of a haunting Greek Sephardic ballad about a woman who does not initially recognize her husband returning from war. SSA a cappella with div., melismatic, in a mode with one microtone. Advanced. Has detailed performance notes, with links to source recordings and a Judeo-Spanish pronunciation guide.
Arrangement of a Bulgarian Sephardic wedding song in 2+2+2+3. SSAA with pitched and unpitched instruments, suggestions included in the performance notes, moderate to moderately advanced. Has detailed performance notes, with links to source recordings and a Judeo-Spanish pronunciation guide.
Arrangement of an upbeat Moroccan Sephardic copla about celebrating Purim, a Jewish holiday that usually falls in March. SATB a cappella, moderate difficulty. Has detailed performance notes, with links to source recordings and a Judeo-Spanish pronunciation guide.